Eric Vaughn Holowacz Archives

Archives Items Relating to the Life, Times, and Cultural Engineering Work of Eric Vaughn Holowacz of Wellington, New Zealand and Sedona, Arizona

November 24, 2005

Giving Thanks

The Dominion Post
Thanksgiving Day 2005

Today is the day when Americans around the world - including those in New Zealand - stop to give thanks, eat too much and blob out. Kim Griggs finds out about the attractions of Thanksgiving.

"What I love about Thanksgiving," says Wellingtonian Tommy Honey, who hosts a huge Thanksgiving dinner every year, "is that it's a process, not only of having the meal but preparing and serving it and sharing it."

This year will be the 21st time that Mr Honey has hosted dinner on the fourth Thursday of November. His first dinner had one turkey shared between eight guests. Tonight, 100 or so guests will enjoy two turkeys - and much much more.

The American tradition of Thanksgiving originates from the meal the Pilgrims held to celebrate a successful harvest after their first tough year in the New World.

According to lore, the festivities - the Pilgrims invited along their native American neighbours - lasted three days.

These days, Thanksgiving in the United States lasts about as long - it's a long weekend, which gives many Americans the chance to travel home to visit families, spend Thursday cooking and eating, and the rest of the weekend holed up watching sport and eating leftovers.

Mr Honey's first experience of Thanksgiving was when he spent the holiday with American relatives in Delaware. "I just got a sense of the occasion."

Back home in New Zealand, a modest meal the following year has become an annual event.

Tonight, Mr Honey's 70-square-metre house will burst at the seams with two serving stations, outdoor eating areas, and people squeezing into every possible nook to balance their plate.

"I have this dream of designing a house that's just one really big table for Thanksgiving and a few little rooms off it, if I was to indulge myself."

To contend with feeding such a huge crowd he's now got the entire evening finely tuned, with spreadsheets allocating food, dividing volunteers into various teams (cooking, washing up, serving and carving) and has a runsheet of the evening.

One year, when he was still doing all the preparation and cooking himself, the meal was very late, "so now I'm a bit of a stickler for the timing of the meal, particularly with this number of people. And I think I'm getting pretty good at it."

His planning starts about six weeks out, compiling the menu, inviting guests and building up the various teams. For those unable to help on the day, there is an option of providing food, so a guest could be allocated the task of dropping off 10 rock melons or two bunches of celery or a sack of potatoes.

"I love the days leading up to Thanksgiving because I get home and there?s all this largesse sitting outside my door as I haul it in, tick it off my list and put it into the appropriate place and get it ready."

While Mr Honey always serves turkey - it's de rigueur - he has occasionally improvised on the way it is presented, including one year when he did turkey sandwiches - "which I thought was quite innovative but was a deep disappointment for most of the guests," he recalls.

"I didn't find out for several years because people were too polite to point out that they had stopped eating for the day and went home with just a sand sandwich in their stomach. So my attempts to vary the cuts of turkey have receded. Now I'm back to the full beast."

Tonight, guests will feast on a three course meal featuring soups, vegetable dishes and salads, banana cream and pecan pies and the centrepieces, roast and barbecued turkeys.

"Thanksgiving," says Mr Honey, "has to be filling. It's not a light night."

While here Thanksgiving occurs as New Zealand starts to ready itself for summer, in the US, Thanksgiving weekend is the signal for the beginning of the winter holiday season.

Decorations go up on houses, Christmas shopping starts in earnest and Santa's participation in the Macy's Thanksgiving Day parade in New York sets the festive tone.

For Wellington-based American Maureen Hickey, Thanksgiving in upstate New York was always marked by a big family gathering at her home, a groaning table, and entertainment by an elderly uncle, who had been an accompanist for silent movies.

"We had a piano at the house and he would come and he would play. That was the big thing at our house. He would play the piano and all my grandparents would sing along with all his songs. That was what was special about it for our house because our Uncle Ray would come."

At home in Oregon, newly arrived US ambassador's wife Gail McCormick and her husband Bill host a traditional Thanksgiving meal, with a couple of turkeys, a traditional giblet stuffing, cranberry sauce, root vegetables, and the requisite pumpkin and pecan pies.

"In our family Bill does all of the cooking," says Mrs McCormick. "I do the table and the flowers and decorations. Bill's in charge of the food but we will share on the shopping. We usually have 15 to 20 people for dinner, our relatives."

This year, the ambassador has had to delegate the cooking to the chef at their residence, though an allowance for the ambassador's interest has been made - "he did tell Bill that he would let him do the peeling".

And the McCormicks' guests, US Fulbright scholars in New Zealand, will be invited to play sports on the lawn, rather than watch sport on television.

Despite its roots in Pilgrim fare, Thanksgiving is one of those festivities that can be adapted - for instance, the German heritage of Mr McCormick's business partner Doug Schmick gives him the leeway to include sauerkraut on the Thanksgiving table.

Those culinary permutations are no more obvious than in the southern states. There, a whole new way of cooking turkey - deep-frying - has developed.

Turkeys cooked this way are boiled in large kettles filled with peanut oil, heated from below. The result, says Eric Holowacz, an import to Wellington from South Carolina, is "a delicious turkey with a crispy and sealed outside, and a perfect, tender inside".

The deep -frying tends to be done outside, and Southerners will often continue an outdoor Thanksgiving theme by having friends over in the evening for an "oyster roast".

For this, a wheelbarrow load of oysters will be "roasted" open between wet sacks on the embers of a fire. Eating is not a formal affair - a gardening glove protects the oysterholding hand, while the other hand shucks the oyster meat.

"It goes late into the night. The only light around the whole place is the fire and sometimes you have floodlights from somebody's house but it's kind of a dark, smoky, communal, really cool environment," says Mr Holowacz.

In Wellington, Thanksgiving celebrations tend to include more friends than family, but the essence of the tradition translates across the Pacific.

Says Mr Honey: "It's about prosperity, being able to eat and share through food. As a holiday or festival, the idea of sharing through food is what drew me to it, because I love cooking and I love my friends.

"And to just stop once a year and give thanks for existing."

November 22, 2005

Shining New Light

Local artist Gina Jones’ high-tech lighting installation Light Perceptions will transform the Wellington Arts Centre Gallery from 13-21 December.

The artist is an admirer of early fluorescent light-work artists such as American Dan Flavin and New Zealand's own Bill Culbert. Her utilisation of the latest lighting technology while referencing their minimalist light works creates a compelling exhibition, the first of its kind at the new Arts Centre.

Light Perceptions will involve the manipulation of the gallery atmosphere with custom-built light housings, making an entirely new experience for the gallery-goer. One of the first artists to relocate to an Arts Centre studio, Ms Jones is a practising architect by day. She developed much of this new exhibition in her studio on weekends and in the evenings.

Wellington City Council's Arts Programmes and Services Manager, Eric Holowacz, says that she's creating a sublime, spiritual, and otherworldly environment in the gallery. "Gina is an extremely careful fabricator of light-infused atmospheres, and this installation will see a powerful transformation of the gallery interior."

Light Perceptions marks both the conclusion of Ms Jones' two year Master of Fine Arts degree from the Royal Melbourne Institute of Technology and the emergence of a new-era light-work artist in New Zealand.

"My artworks utilise LED (light-emitting diode) lighting extensively and have a significant architectural quality," says Ms Jones. "My objective is to create work which extends the viewing experience, inviting contemplation."

She uses space and subtle shifts in light to create an awareness of ‘being in time'. As the surroundings and shades change, the viewer gains an awareness of both space and surroundings.

"We are all obviously caught up in time - what this exhibition attempts to create is the feeling of time," said the artist, who will be available for interview at the exhibition's 12 December opening from 5.30pm to 7.30pm.

Artists Exposed

Wellington City Council Press Release

The Wellington Arts Centre opens its doors to the public for a Studio Crawl on Thursday 24 November from 5.00pm-8.00pm.

A group exhibition of new works by the centre's artists will be on view in the ground floor gallery to Tuesday 29 November, and all works are for sale.

All Wellingtonians are invited to Thursday's gallery reception and open studios. The exhibition includes paintings, jewellery, mixed-media, glass art, and hand-carved objects created by more than a dozen emerging artists, including Alistair McAra, Lynn Baird, Bruce Mahalski, Aaron Frater and Vincent Duncan. The Studio Crawl offers art enthusiasts a chance to meet some of the 37 visual artists based in the centre.

Arts Programmes and Services Manager Eric Holowacz says that the studios are not often open to the public. "The Studio Crawl evenings have been a great way for people to interact with our creative community and tour the labyrinth of productive spaces."

Wellington Arts Centre officially opened in July, and the ground floor gallery space has shown more than a dozen exhibitions since then. The facility has grown to house artists, organisations, producers, cultural leaders, clubs, meetings, and community events. Academy-award nominated local film-maker Taika Waititi has recently set up his Sad Animals production office and wardrobe shop in the arts centre project rooms.

Every day, the Arts Centre is home to over 100 different projects, collaborative meetings, rehearsals, workshops, or planning sessions. The results are already hitting the streets in the form of theatre productions, new films, book launches, dance conferences, festival events, and live performances.

"This Thursday's gallery reception and studio crawl will be an opportunity to meet the people who make the arts centre a diverse, interesting place," says Mr Holowacz. "Everyone's invited to stay a while and get to know this next wave of New Zealand's cultural producers."

November 08, 2005

Sunshine on a Cloudy Bay

Wellington City Council Press Release

Wellingtonians get a chance this week to experience the unique, passionate and energetic take on the capital offered by veteran artist Vincent Duncan.

Mr Duncan, whose work is widely sought after by collectors, will show his first solo exhibition at the Wellington Art Centre gallery, from Wednesday 9 November.

Eric Holowacz, the City Council's Arts Programmes and Services Manager, says the self-taught Vincent is unlike any painter working in Wellington. "He has gained a reputation as one of the city's most enthusiastic land and seascape artists, able to infuse any scene with vibrant colour and texture. It is undeniable that Vincent's canvasses capture a certain essence of Wellington, whether they depict the new beach at Oriental Bay, an historic street, or a Sunday afternoon in the park."

Mr Duncan has been showing us how he sees Wellington for almost twenty years, drawing inspiration from the Impressionists and later forms of Expressionism. In recent times, he has joined 36 other artists and moved his studio to the Art Centre at 61 Abel Smith Street.

Eric Holowacz says Vincent's work is characterised by an intensity of feeling and a willingness to go outside the norm. "He often dispenses with brush and tools, using his hands to create the scene and eliminate the barrier between artist and canvas. His images are rich in texture, appealing to both tactile and aesthetic senses. They are imbued with activity."

The artist describes himself as "cheeky and intuitive", painting what he sees and feels with little regard for formal drawing techniques and academic methods. "My idea of perspective is based on feeling and not on reality or precise technical application," says Mr Duncan.

He says the resulting anomalies are often what make the images humorous, symbolic or uniquely his own.
The exhibition, entitled Sunshine on a Cloudy Bay, is a celebration of how one artist sees his city. It will be open to the public from Wednesday 9 to Friday 18 November at the Wellington Art Centre gallery, with an opening celebration on Thursday 10 November 5.30pm - 7.00pm.